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From India's Freedom Struggle to International Fashion Weeks - Artistic Journey of Indian Handlooms

From India's Freedom Struggle to International Fashion Weeks - Artistic Journey of Indian Handlooms
From India's Freedom Struggle to International Fashion Weeks - Artistic Journey of Indian Handlooms
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Right from playing a key role in India’s Freedom struggle to making India a treasure chest of fashion, Indian Handlooms have been an integral part of Indian culture & economics. This 71st Independence day, UNNATI SILKS celebrates some major achievements of our pride – Indian Handlooms. 
THE START OF A MOVEMENT India, under colonial rule for a little above two hundred years attained its freedom in 1947. And the Non-cooperation movement by Mahatma Gandhi in 1920 was a major milestone. He urged Indians to wear handwoven Khadi. Since then Handlooms have formed an integral part of our Freedom struggle. Handlooms are the spirit of the Nation – the vibrancy and vividness in their display reflecting the ethos of India, its rich culture and the underlying chord of unity within the diversity. ‘Hands of the loom’Weavers, artisans and other ancillary craftsmen are the backbone of the Indian handloom industry which demonstrates the richness and diversity of Indian culture. With over 4.3 million people directly involved in the production, the handloom industry is the second-largest employment provider for the rural population in India after agriculture. Indian handloom products are known for their unique designs and finesse. The trend is to mix old designs with new techniques and create original products. The industry has strong infrastructure, with about 2.4 million looms of varied designs and construction, indicating significant production capacity. Remuneratively handlooms fetch much less as compared to power looms and govt. policies and schemes started favouring this sector and neglected the other. This caused a temporary setback and numbers in the workforce started dwindling seeking fresher pastures to eke out their livelihood. Handloom Day on August 7th every year, the initiative from Prime Minister Modi himself, is an acknowledgement of this ‘Hand of the Loom’ or the weaving community’s contribution to the nation’s economy and the preservation of India’s rich heritage. As a move it has many pro-handloom initiatives afresh and given the much needed shot in the arm that promises better things to come for this troubled sector. A pat on the back for Handloom exportsAs per the official figures from the Handloom Export Promotion Council (HEPC), the contribution of Handloom sector in Indian exports is quite significant and worthy of applause.

From India

  • The export of handloom products from India stood at US$ 360.02 million in FY2015-16.
  • In 2015–16, the US was the major importer of Indian handloom products, with estimated purchases of US$ 106.13 million, followed by the UK and UAE at US$ 22.42 million and US$ 19.42 million, respectively. Italy, Germany, France, Spain, Japan, Netherlands, and Australia were some other export destinations.
  • During 2015-16, export of fabrics stood at US$ 35.34 million, floor coverings stood at US$ 125.27 million, clothing accessories stood at US$ 25.54 million, and made-ups stood at US$ 173.88 million.
 Spread of handloom todayIndian Handlooms have made a deep impact on the Fashion trends. Some of the leading Indian designers like Ritu Kumar, Sabyasachi Mukerjee, Manish Malhotra, Tarun Tahiliani, Anamika Khanna, Anju Modi extensively incorporate handloom weaves & art work in their collections. Starting from fabric, right down to designs & motifs, they have given the handloom that fresh boost that has elevated it from a traditional weave to a fashion fabric. But more heartening is it to see the spread of the handloom in fashion clothing overseas. Some of the biggest designer brands have incorporated designs, patterns, styles, and sometimes even the fabric itself from the Indian range of clothing. See the following instances:The Hermes Spring-Summer 2008 collection of colorful India-inspired fusion garments include draped sari dresses, tunics, long jackets, reinterpreted ribbon-edged saris, Jodhpurs and safari suits. McQueen Fall 2008 is inspired by Indian royal costumes and jewellery for this collection. Knee-length draped sari dresses with paisley work at the borders, a voluminous white dress with a red shrug with gathered effect, use of India’s national bird peacock as a motif and the use of maangtikas. Dior Resort 2008 is a tribute to the Indian colour palette and experiments with shades such as bright greens and pinks in this collection, the use of paisley, temple motifs, embroidery on silk and chiffon to create pencil pants, skirts and dresses is fascinating. The combination of British and Indian influences, specifically the royalty of both countries by Alexander McQueen in his Fall 2008 collection was a breath taking fantasy. From Victorian and Elizabethan silhouettes to the ornamentation of Indian maharajas, McQueen’s collection was dark and romantic. The use of Indian jewellery on gothic looks, sari silks to create dresses, embroidery of Indian motifs like the peacock on frothy gowns among other details were sensational. Louis Vuitton Diwali Collection 2010 had experiments with the Benarasi weave by Marc Jacobs, inspired by Indian elegance and Western design sensibilities to create gorgeous sari dresses. There was also a special fabric called ‘Louis Vuitton fabric’ specially woven by Indian craftsmen with a mix of monogrammed flowers and Indian traditional motifs. Marchesa had in her Spring 2013 range Indian drapes mimicking the sari and long, full skirts to the use of brocade and the jewelled and gilded embellishments on clothes. The collection seamlessly blended its Indian influences with the dreamy Marchesa aesthetic. The Indian touch was also visible in the colour palette that included deep red, Rani pink, sunset orange, pale green and inky blue. Isabel Marant in her Spring 2016 Collection had a perfect blend of the Parisienne vibe with that of a bohemian globetrotter. The woven textiles of Rajasthan were used alongside chunky jewellery, laid-back harem pants, silver jackets and pants, and beaded embroidery. Elie Saab Couture had in is Spring 2016 display showed the collection of an aristocrat visiting colonial India. With both Indian and Edwardian influences in equal measure, sari-inspired silhouettes were followed by high-necked shirts, Nehru collars by caped gowns. The clothes were feminine, intricate and beautiful, all staple features of Elie Saab couture. All goes to show how much those overseas like about the variety & diversity in handlooms that gives them plenty of inspirations. Rooted in Tradition Change is a constant phenomenon. And to Change without losing the core values and essence is what Indian Handlooms stand for. The core techniques and principles used by the weavers remain the same which has been carried on from generations.The passion, dedication and love for the craft still remains the same, the Magic remains the same.


A journey well-travelled – Unnati SilksUnnati’s contribution to the Nation’s effort began in 1980 when Mr. Devendra Ladha, CEO & founder of Unnati Silks had to make a choice other than Medicine for his future career. He chose to start Unnati Silk Prints Pvt Ltd. Right from his student days Mr. Ladha had developed a love for handlooms. “I was very much taken in by the traditional processes of weaving, the dedication of our weavers, intricate designs, the beauty and detail of the weaves. I love Indian ethnic like any proud Indian should.” Continuing further he says “Traditional artistry is a marvel, a work of genius”, he says, “but the ethnic practitioners behind this craft ‘never get their place in the sun’ for the marvellous offerings they create.” “Unnati Silks sees itself as the bridging entity between these wonder workers of ethnic fabrics across India and the end users of these dedicated offerings - the buying community at large.”“There have been areas that I feel should be covered, like holistic conceptualization, an innate understanding of market tastes through focused research, good anticipation through co-ordinated efforts and experience of what designs could be well-received and a whole lot of other customer centric efforts that would ensure a win-win situation for all concerned.” This became a focal point in Unnati’s strategies that tremendously improved its bonding with the traditional makers of fabrics and fostered a close working relationship that has been harmonious and well-nurtured in this journey. In return the market has responded favourably on most occasions for Unnati’s ideas translated on cloth. He smilingly reflects, “The smell of a freshly woven handloom saree is as invigorating as the smell of the mud when it just starts raining, something familiar and dear to those who have been associated with these weaves.” Unnatisilks.com, the official online shopping website of brand Unnati Silks is your one stop store for beautiful Indian Handlooms. Shop from unique collection of pure Handloom Cotton and Silk Sarees, Handcrafted Dress material, handloom kurtas, ethnic fabrics and more.



From India's Freedom Struggle to International Fashion Weeks - Artistic Journey of Indian Handlooms
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Ramya Koya is an amateur writer who started off with apherald.com. She indites her opinions and views related to Politics, Movies and Sports. Ramya Koya is contented to be a part of the well-versed panel of authors.